On this episode, we give some backstory and context for immigration issues. Then we sit down with Luis, an immigrant from El Salvador who recently got his citizenship. We also spend a lot of time talking about what makes America a great place, both for the people that are already here and those looking to move here. Because Liberals can be patriotic, too, dammit!
Despite our usual worldly confidence (read as: arrogant and sheltered elitism), we really don’t know what immigration policies we should be striving for. Phil tries to contextualize it by looking at how we’ve treated immigrants in the past (poorly). Sly opens up about his experiences as an immigrant himself. Ryan tries really hard not to talk about health care by giving us some statistics and facts on DACA. That’s the Deferred Action for Childhood Arrivals, Obama’s Executive Order to allow undocumented immigrants who arrived as children to stay in America. As a result, we spend a lot of time talking about the nature of patriotism and how important protest is.
Huge thanks to Luis for his great stories about what it was like coming here as a kid, the bittersweet feelings of going back home, just how hard it is to know where our country should go from here, and so much more.
After reading Darryl’s beloved Death’s Head 2 last time, we dip back into Sly’s childhood for The Maxx. Even though it seems like a goofy dystopia, this book apparently introduced Sly to feminism. Does it hold up? Or is our protagonist just a damn snowflake, polluted by our liberal SJW culture? Darryl is really unconvinced if this book is a subversion of an inversion. Phil actually likes a book we picked for the show? Ryan loves this book even though he missed pretty much the whole plot. And is that… Sly apologizing for being salty? It can’t be!
Content Warning: This book heavily features sexual violence against women.
On this episode, we attempt to answer questions that have been plaguing society for years. Can you separate the art from the artist? Where do we draw the line? When is it fair to superimpose the context of the artist into analysis of the original text? Is it hypocritical to call out unethical consumption when you take part in an unethical capitalist system?
This episode has it all. Orson Scott Card, the writer of Ender’s Game, a sci-fi story preaching tolerance, thought Obama was going to become our permanent dictator and had a lot of racist reasons why! Up and coming rapper XXXTentacion writes some pretty powerful songs about teenage depression, but also might be a violent sexist! Turns out feminist nerd favorite Joss Whedon is… not that at all. Does that change his work? Does that make Firefly sexist now? This episode gets real into the weeds about capitalism, you know, like every other episode that Phil and Sly are on.
On this episode, the gang let Darryl pick the book we read. Last time he picked one, it was an existential horror manga that stuck with us for months. This time, it’s a super extreme 90s Marvel book that probably would’ve fit in better during Edgelord August. Apparently Death’s Head II is a rich character with history from Transformers to Doctor Who. Buckle up, it’s quite the journey.
In this episode, we journey into the minds of our two most intriguing hosts to see where it all started, Death’s Head II. Or maybe Death’s Head I. And maybe Minion. Don’t forget Death’s Head 3.0! Or maybe Death’s Head Cubed? Who knows? There’s a lot of lore to unpack here. All will be revealed as you learn Sly’s original screen name and internet persona. Just why does Darryl want to be Death’s Head II when he grows up? Why does Phil hate time traveling so much? Ryan, as usual, has no idea what’s going on, despite Darryl hyping this when Ryan interviewed him about growing up with these comics.
On this episode, the four of us are back together for a serious episode about the horrid events in Charlottesville, Virginia. If you don’t know, we recap the events of the “Unite The Right” rally, and give some context with a brief history of the KKK and white supremacy in America. We discuss a different history of the police than last week’s bonus episode with Ryan’s dad. We also talk about the centrist response to these events. Things have really changed since last time we talked about punching Nazis. Phil’s finally back to really give us some global history on slavery and racism. Darryl’s even more on Sly’s side than Ryan, who’s moderate views are wavering now that *cracks knuckles* Nazis are openly rallying.